top of page



My interest in contemporary jewelry appeared as a natural change of scale that I initially had the chance to experience in the larger, dimensionally speaking, context of architecture.

Therefore, I started making jewelry applying the same creative process I used to refer to in architecture, but my work has slowly moved from geometrical patterns and mathematical algorithms, deeply imprinted on my mind, to a more experimental approach.

My jewelry mirrors my fascination with imperfections, with surprising details placed in apparently conventional shapes and I never cease searching for a certain unexpected strength that lies in fragility and lightness.

bottom of page