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My interest in contemporary jewelry appeared as a natural change of scale that I initially had the chance to experience in the larger, dimensionally speaking, context of architecture.
Therefore, I started making jewelry applying the same creative process I used to refer to in architecture, but my work has slowly moved from geometrical patterns and mathematical algorithms, deeply imprinted on my mind, to a more experimental approach.
My jewelry mirrors my fascination with imperfections, with surprising details placed in apparently conventional shapes and I never cease searching for a certain unexpected strength that lies in fragility and lightness.
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